“Mrityutow ata shilpo,
jibonor kothin shilot kota nirlohb bhaskarjya”
jibonor kothin shilot kota nirlohb bhaskarjya”
I wonder how the
mind and the heart of the soul that penned the most beautiful lines ever on
death, must have self-experienced the unbounded pain, reaching up to a crest
hidden in the immortal clouds and then the final release, draining all physical
existence from this world.
Hiren
Bhattacharya, or as people lovingly called him, Hiru da, is no more in our
midst. It is hard to define the void that he leaves behind, a departure of a
cloud that for so long, so unrelentingly, so unfailingly showered his calming drizzles
in the world of Assamese Poetry.
Looking at the
numerous local news channels over the past week telecasting the recent events
of his death, I felt sad. Sad and Hopeless. The world has begun to turn a sad departure
into a cacophonic drama. Four words blaring over and over- “Hiru Da aru nai” for 5 long minutes and then taking off the show
of guilt, happily switching over to an ad on how the Oxomiyas should finally turn to some stupid liver tonic to ward off
the after-effects of the now-so-common binge-drinking fevers.
“Hiru Da aru
Nai”
For some time
maybe, it will continue to seem like the title of some story set in never land.
Story of a poet, a Jajabor, whose lines and voice travelled to all corners of the land,
creating flutters among many a lost soul, and then echoing back to the person
with the innocuous muna (bag), chappals and dreamy eyes.
The following
day, the new channels went on damage control. Recitals of his timeless masterpieces
over telecasts of his cremation in Navagraha were meant to turn people teary
eyed (or TRP-eyed perhaps) in gloom. A carefully planned show of solidarity we
were meant to watch and appreciate.
Meanwhile, a
certain Zubeen Garg, sitting dazed with spirits near the departed, declined to
comment on TV how he felt at the great poet’s demise. “Aji no comments bey..”
And he continued
slowly and sadly thumping his chest.
Xosake, Aji aru no comments.
-Palash
July 2012
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